Bidasari ate her fish
2025
142cm by 142cm
acrylic on canvas
Shortlisted for UOB painting of the year 2025
In 2025, I committed to myself to overhaul my artistic style which I called Echo Form, a depart from pure abstraction . Echoform is a suspended moment when action is almost taken but not yet resolved. Through my past work involving "Superposition", I layered multiple images of figures and gestures that exist in several possible states at once — raised and lowered, speaking and silenced, stepping forward yet holding back.
Hands, mouths, and legs appear as recognisable but incomplete presences, marking the threshold of action. These partial anatomies carry intention but remain suspended, undecided. Entwined with them are hybrids of insect and botanical life, morphing between instinct and growth, impulse and endurance.
By layering pigment and repeated contours, I build a surface that behaves like living strata — part synthetic geology, part biological metamorphosis. The result is not a fixed image but a resonant system where forms echo, overlap, and hesitate, embodying both the pressure to act and the haunting of what remains unchosen.
United nation security council digital hesitation
2025
142cm by 142cm
Acrylic on canvas
Dizziness of freedom
By layering figures in superposition mode, I try to visually achieve the dizziness of freedom that Kierkagaard talks about in regards to anxiety.
Hong kong 2019-2020 digital hesitation
2025
142cm by 42cm
acrylic on canvas
Cinderella and her gun
2024
142cm by142cm
acrylic on canvas
Digital study for echoform
Untitled
Untitled
Hong kong 2019-2020 study
Untitled
Untitled
Study for Perogol (rapist)
Bidasari study
Study for Perogol (The rapist)